Least area, found by flowing
The computer's soap is a flow: measure how each vertex of a mesh could move to reduce total area, take a small step that way, repeat. The surface drains excess area like water finding level, and settles where no move helps — the minimal surface. Bend the wire and the film chases the new answer, always taut, never wrinkled.
Drag the rim handles up and down; the film keeps up.
Saddles, everywhere
A minimal surface has a signature you can feel: its mean curvature is zero at every point, which forces every point to be a saddle — curving up one way exactly as much as it curves down the other. No domes, no bowls, no bulges. The colours here read the curvature live: a true film stays quietly near zero however hard you twist its boundary.
Twist the rim; the film curves, the gauge barely moves.
Film or bubble
Add pressure and the film stops being minimal: it bows into a cap whose mean curvature is no longer zero but constant — exactly pressure over tension, Laplace's law from 1805. That's the whole difference between a soap film and a soap bubble: one minimizes area outright, the other minimizes it under a volume it must enclose.
Slide from film to bubble; the gauge locks onto P/2.
The catenoid, and the snap
Between two rings the film forms the catenoid — the first minimal surface ever found, a hanging-chain curve spun in space. Pull the rings apart and its waist thins; pass a critical separation, about 1.33 radii, and no minimal surface exists at all. The film has no answer left, so it does what real soap does: the neck pinches and it snaps into two flat discs.
Pull the rings apart slowly. You'll know when.
The soap lab
A wire, a film, and every dial at once. Sculpt the boundary with eight handles into ridges and valleys and watch the film negotiate the least-area answer; add pressure to inflate your landscape into bubbles; read the surface as shaded material or as a live curvature map. The area counter keeps score against the flat disc — the film's whole ambition is to keep that number down. This is Frei Otto's studio in miniature: every tent and membrane roof began as exactly this experiment.